Olivia Lomenech Gill : Artist Profile
Olivia Lomenech Gill was born in Cambridge in 1974 and spent her formative years immersed in the landscapes of Northumberland, along the Scottish border. Fascinated by the diverse realms of illustration, engraving, and sculpture, Olivia Lomenech Gill initially delved into the world of drama at the University of Hull. Later, she pursued a Master's degree in engraving from the esteemed Camberwell College of Arts in London, delving deeper into the intricacies of printmaking. This multidisciplinary approach allowed her to explore various facets of artistic expression. For those acquainted with Olivia, it is fascinating to note that her distinctive style, both in life and in her work, has been a constant presence since the beginning. In 2012, Olivia's trajectory underwent a significant shift with her first professional illustration commission. Entrusted with the task of illustrating "Where My Wellies Take Me," a book by Michael and Clare Morpurgo, this project not only showcased her artistic skills but also garnered critical acclaim. The book was shortlisted for the Kate Greenaway Medal and won the English Association Picture Book Award. Capturing the discerning attention of none other than J.K. Rowling, Olivia received a commission to sketch dragons for a clandestine project—later unveiled as Rowling's work: "Fantastic Beasts and Where to Find Them." Employing a diverse array of techniques, including copper plate engraving, collage, chalk, and pastels, she brought to life the fantastical creatures that now grace the pages of Rowling's magical universe. The book was published by Bloomsbury in England and Gallimard in France. In 2019, Olivia, along with her family, embraced a new chapter in Brittany, France, bringing her studio (and several tons of antique printing presses) with her. Undeterred by the change, Olivia continued her illustrative pursuits, including Jessie Burton's "Medusa" in 2021. The years 2022 and 2023 witnessed Olivia exhibiting a segment of her extensive portfolio focused on medieval bestiaries at the Scriptorial in Avranches (where the manuscripts of Le Mont-Saint-Michel are on display) and the Château de la Roche-Jagu in Brittany. Complementing her exhibitions, she delivered conferences, sharing insights into her artistic journey, and runs workshops.
